Maple Glider - I Get Into Trouble. LP [Ltd. Ed. First Pressing on Neon Pink Vinyl]

Maple Glider - I Get Into Trouble. LP [Ltd. Ed. First Pressing on Neon Pink Vinyl]

I Get Into Trouble is a thematic expansion of her debut, going into greater and clearer detail, as she delves back into her Christian childhood while deconstructing her relationship to her body and her sexuality, alongside concepts of consent and shame. “Dinah,” a deceptively whimsical ditty, is the album’s entry-point to these themes, and it’s as infectious as an earworm wriggling through Eve’s apple. “I’ve been in the church making sure no one’s looking up my skirt,” she sings, on one of the poppiest songs she’s ever recorded.

Throughout Zietsch’s second album, she draws similar parallels between religion and sexuality in novelistic detail, before landing on a note of hopeful optimism, and embracing a new life of peacefulness. “This album feels more like an opening up because there are things I wasn't feeling ready to publicly share through songs, but now I finally feel ready,” she says.

Ultimately, I Get Into Trouble is the sound of alchemized pain. In each song, Zietsch transmutes tribulation and confusion into clarity and deep insight. She combines the infectious folk-pop hooks of her debut with a sense of scape and scope. It’s tight in all the right places, free-form, wiley and compositionally eclectic, playful, and erratic in others. That experimentation was the result of letting the songs roam free in the room, jamming alongside fellow musicians [their names here]. ‘Two Weeks’, a song about feeling skeptical of your own feelings, is appropriately indecisive and shifty in its tone, tempo and structure. The pacing is masterful, jumping between taut grooves and slow, unfurling sections of lacksaidaiscal guitar and candied vocals.

Her lyrical style is stark and unblushing. Reaching a hand directly out to her listener, Zietsch sings as though she has nothing to hide. “My bank account’s not healthy and neither’s my sex life,” she sings matter-of-factly on ‘FOMO’. “It’s kind of just a natural way of writing for me,” says Zietsch, “if it doesn't feel like honest to me, then I don't really connect with the song and then I don't really see the point of it.” In song, Zietsch embraces the opportunity to be plainly and painfully honest.

For Zietsch, songwriting is a kind purging; recording an attempt at bottling multiple explosions. “You know, it helps clean the brain out and allows me to sort of deal with things and understand things better.”

In understanding herself better, Zietsch continues her mission of self-emancipation through song. Her second album is a document of radical honesty and transparency. Listen, and free yourself alongside her. 

Track Listing:

1. Do You
2. Dinah 
3. Two Years 
4. FOMO 
5. Don't Kiss Me 
6. You At The Top Of The Driveway 
7. You're Gonna Be A Daddy 
8. For You And All The Songs We Loved 
9. Surprises 
10.Scream