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Culled, cut, post-produced \u0026amp; re-composed by Makaya using recordings of free improvisation he collected over dozens of live sessions in Chicago, through incubation \u0026amp; experimentation In The Moment established a procedural blueprint that he has since been sharpening \u0026amp; developing.\u003c\/p\u003e\n\u003cp\u003eHoning this process on narrower sets of the source material, Makaya followed up In The Moment with 2 mixtape releases – 2017’s Highly Rare, a lo-fi free-jazz-meets-hip-hop suite he made from a live 4-track recording, and June 2018’s Where We Come From (CHICAGOxLONDON Mixtape), which he produced using live recordings from London jazz hub Total Refreshment Centre (captured at a showcase called CHICAGOxLONDON).\u003c\/p\u003e\n\u003cp\u003eNow, after 4+ years of refining his approach, Makaya McCraven puts forth an ambitious new work – Universal Beings – a culmination of concepts conceived by In The Moment, and his most elegant \u0026amp; articulated work yet.\u003c\/p\u003e\n\u003cp\u003eSpurred by a desire to connect with old friends \u0026amp; new collaborators in places where similar spirits \u0026amp; diasporic jazz innovations are thriving, Makaya worked with International Anthem across late 2017 \u0026amp; early 2018 to setup intimate live sessions in New York \u0026amp; Chicago, and pop-up “studio” sessions in London \u0026amp; Los Angeles. 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After notable \u003cstrong\u003eBlue Note\u003c\/strong\u003e appearances on \u003cstrong\u003eThe Nels Cline 4’s Currents,\u003c\/strong\u003e \u003cstrong\u003eConstellations\u003c\/strong\u003e (2018) and \u003cstrong\u003eCharles Lloyd’s 8: Kindred Spirits\u003c\/strong\u003e (2020), the acclaimed GRAMMY-nominated artist is poised to make his own \u003cstrong\u003eBlue Note debut\u003c\/strong\u003e with the June 11 release of Squint. Produced by \u003cstrong\u003eMargaret Glaspy\u003c\/strong\u003e and \u003cstrong\u003eArmand Hirsch\u003c\/strong\u003e, the dynamic 11-song set featuring 9 originals showcases both Lage’s remarkable songcraft and adventurous sense of improvisation which takes flight in the company of his trusted trio with bassist \u003cstrong\u003eJorge Roeder\u003c\/strong\u003e and drummer \u003cstrong\u003eDave King\u003c\/strong\u003e (The Bad Plus).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Etude\u003c\/p\u003e\n\u003cp\u003e2. Boo’s Blue\u003c\/p\u003e\n\u003cp\u003e3. Squint\u003c\/p\u003e\n\u003cp\u003e4. Saint Rose\u003c\/p\u003e\n\u003cp\u003e5. Emily\u003c\/p\u003e\n\u003cp\u003e6. Familiar Flower\u003c\/p\u003e\n\u003cp\u003e7. Day And Age\u003c\/p\u003e\n\u003cp\u003e8. Quiet Like A Fuse\u003c\/p\u003e\n\u003cp\u003e9. Short Form\u003c\/p\u003e\n\u003cp\u003e10. Twilight Surfer\u003c\/p\u003e\n\u003cp\u003e11. Call Of The Canyon\u003c\/p\u003e","brand":"Julian Lage","offers":[{"title":"Default Title","offer_id":39562170925134,"sku":"23381","price":62.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/9317\/1278\/products\/Julian-Lage-Squint-1-1200px.jpg?v=1637817490"},{"product_id":"makaya-mccraven-deciphering-the-message-lp-us-import","title":"Makaya McCraven - Deciphering The Message. LP [USA IMPORT]","description":"\u003cp\u003eMakaya McCraven - Deciphering The Message. 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The music that we’re making now is part of the same route and is connected, so I want to honor tradition and release something that people can vibe to.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAcross numerous albums and mixtapes, McCraven has proven his mastery of the loop akin to hip-hop’s most celebrated beatmakers like Madlib and J Dilla, both of whom also found inspiration in the Blue Note catalog. With acclaimed releases like In The Moment (2015) and Universal Beings (2018), McCraven created his own lane in jazz by sampling his band playing improvised sessions throughout the world, then molding the audio several times to pull contrasting moods from it. For his previous project McCraven remixed Gil Scott-Heron’s final album I’m New Here into the equally emotive LP We’re New Again (2020). McCraven’s unique approach also incorporates newly recorded elements including his own drums, \u003cstrong\u003eJoel Ross\u003c\/strong\u003e’ vibraphone, \u003cstrong\u003eJeff Parker’s\u003c\/strong\u003e guitar, \u003cstrong\u003eMarquis Hill’s\u003c\/strong\u003e trumpet \u0026amp; more.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLISTING:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. A Slice Of The Top (AKA “Sliced Off The Top”)\u003c\/p\u003e\n\u003cp\u003e[from A Slice Of The Top by Hank Mobley]\u003c\/p\u003e\n\u003cp\u003e2. Sunset (AKA “Son Set”)\u003c\/p\u003e\n\u003cp\u003e[from Whistle Stop by Kenny Dorham]\u003c\/p\u003e\n\u003cp\u003e3. 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Autumn In New York (AKA “Spring In Chicago”)\u003c\/p\u003e\n\u003cp\u003e[from Blue Lights, Vol.1 by Kenny Burrell]\u003c\/p\u003e\n\u003cp\u003e10. Monaco (AKA “Monte Negro”)\u003c\/p\u003e\n\u003cp\u003e[from ‘Round About Midnight At The Cafe Bohemia by Kenny Dorham]\u003c\/p\u003e\n\u003cp\u003e11. Mr. Jin (AKA “Mr. Gin”)\u003c\/p\u003e\n\u003cp\u003e[from Indestructible by Art Blakey \u0026amp; The Jazz Messengers]\u003c\/p\u003e\n\u003cp\u003e12. C.F.D. (AKA “D.F.C.”)\u003c\/p\u003e\n\u003cp\u003e[from Something Personal by Jack Wilson]\u003c\/p\u003e\n\u003cp\u003e13. Black Rhythm Happening\u003c\/p\u003e\n\u003cp\u003e[from Black Rhythm Happening by Eddie Gale]\u003c\/p\u003e","brand":"Makaya McCraven","offers":[{"title":"Default Title","offer_id":39562173612110,"sku":"23383","price":59.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/9317\/1278\/products\/Makaya-McCrave-Deciphering-1-1200px.jpg?v=1637817751"},{"product_id":"sharon-jones-the-dap-kings-i-learned-the-hard-way-lp","title":"Sharon Jones \u0026 The Dap Kings - I Learned The Hard Way. LP","description":"\u003cp\u003eSharon Jones \u0026amp; The Dap Kings - I Learned The Hard Way. 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Recorded over two days in 2021, Parker blurs the line between jazz and ambient with this airy, intricate and soothing, melodic record!\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003ecredits\u003c\/p\u003e\n\u003cp\u003ereleased December 10, 2021\u003c\/p\u003e\n\u003cp\u003eJeff Parker - electric guitar\u003c\/p\u003e\n\u003cp\u003eEngineered by Graeme Gibson at Sholo Studio in Altadena, California on June 28th \u0026amp; 29th, 2021.\u003c\/p\u003e\n\u003cp\u003eMixed by Graeme Gibson in Cypress Park, Los Angeles, California on July 15th \u0026amp; 16th, 2021.\u003c\/p\u003e\n\u003cp\u003eSequenced by Scott McNiece.\u003c\/p\u003e\n\u003cp\u003eMastered by David Allen.\u003c\/p\u003e\n\u003cp\u003ePhotography by Lee Anne Schmitt.\u003c\/p\u003e\n\u003cp\u003eLiner Notes by Matthew Lux.\u003c\/p\u003e\n\u003cp\u003eDesign by Jeremiah Chiu.\u003c\/p\u003e\n\u003cp\u003eProduced by Scott McNiece.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLISTING:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1. 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